Brücke Museum / Schinkel Pavillon
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The exhibition The Assault of the Present on the Rest of Time. Artistic Testimonies of War and Repression presents historical and contemporary positions that address state violence and opression. The focus is on the aspect of testimony. Works from the 1930s and 1940s by Maria Luiko, Johanna Schütz-Wolff, and Felix Nussbaum, among others, enter into a dialogue with works by artists such as Simone Fattal, Dana Kavelina, and Lawrence Abu Hamdan. The project is a cooperation between the Brücke-Museum and the Schinkel Pavillon.
The starting point is the complex, intertwined history of the two institutions. The Schinkel Pavillon is located in the garden of the former Kronprinzenpalais, which housed the New Department of the Nationalgalerie in the early twentieth century. In this first public collection of modern art, the Brücke artists were integrated early and exhibited publically —until the Nationalsocialists confiscated and even destroyed hundreds of mostly Expressionist works of art as “degenerate”. Some of the works defamed during this period found their way, via detours, to the Brücke-Museum, which was founded thirty years later and is dedicated to the artists’ group of the same name.
Against the backdrop of the war unleashed by Russia in Ukraine, the exhibition understands the past as continuity and present.
14. September 2023 to 4. February 2024
With art works by Lawrence Abu Hamdan, Etel Adnan*, Dora Bromberger, Leo Breuer, Isaac Chong Wai, Simone Fattal, Forensic Architecture, Parastou Forouhar, Lea Grundig, Erich Heckel, Hannah Höch*, Eric Isenburger, Ernst Ludwig Kirchner, Käthe Kollwitz, Elfriede Lohse-Wächtler, Maria Luiko, Otto Mueller, Felix Nussbaum*, Karl Schmidt-Rottluff*, Johanna Schütz-Wolff, Sung Tieu*, Nora Turato and Oscar Zügel.
